Recording
Mixing
Mastering
Recorded, Mixed, or Mastered
Modded Marshall JCM900
Bad Cat Cub 40R
Peavey 5150 Signature
Mesa Dual Rectifier
Fender Bassman 100 Silverface
Marshall JCM2000
Mesa Oversized 412
Mesa Traditional 412
Framus Cobra 412
Fender Bassman 215
Ampeg 810e
Pearl Maple Masters Kit
22x18 Kick
12x9 Rack Tom
13x10 Rack Tom
14x14 Floor Tom
18x18 Floor Tom
14x6.5 Free Floating Snare
14x5 Ludwig Acrolyte
14x6 Pearl Steel Export Snare
LTD EC1000ET
Gibson Les Paul Studio
Charvel Pro-Mod
Fender Stratocaster
Peavey T60
BC Rich Wralock
FenderJazz Bass USA
Peterson Strobostomp
Gibson Les Paul Studio
Boss HM2 Heavy Metal
Behringer HM300 Heavy Metal
Source Audio EQ1
TC Electronic Sentry
Keeley Compressor
Boss Line Selector
Donner Boost Killer
Radial BigShot ABY
MXR 10 Band EQ
Tech21 Sansamp
JHS Modded Rat
Electrical Audio Experiments Longsword
Dead Air Feral
DOD Boneshaker
Blackout Effectors Fix'd Fuzz Deluxe
J Rockett The Dude
SNK Heartbreaker
Spooky Vibes Isosceles Boost
Eventide H9
Defects Range Boost
Fulltone OCD
Boss Super Overdrive
Ibanez Tubescreamer TS9
Ibanez JetDriver
Digitech Deathmetal
John Howard: Sound Engineer
Welcome to War House Recordings, where John Howard doesn't give a damn about your pretentious crap. Located in the backwoods of Gainesville, Florida, our studio is where we reluctantly handle mixing, mastering, and recording, even though we'd rather be doing something else.
Whether it's the obnoxious screams of hardcore or the mind-numbing monotony of shoegaze, we've somehow endured working with a motley crew of artists. Don't expect any sugar-coated compliments here. At War House Recordings, it's all about surviving your insufferable music and maybe, just maybe, making it sound halfway decent.
Email is my preferred method of contact, Feel free to send any questions to my email below.